Digital Cameras and Colour

RGB Colour

According to high school science, every colour in the world can be made by combining the appropriate amounts of the primary colours: red, green, and blue light. Conversely, every colour can be resolved into a combination of red, green, and blue light.

A system whereby colours are characterised by the contributions of the red, green, and blue primary colours is called an RGB colour model.

How digital cameras capture a scene

Digital camera sensors work by breaking down a scene into millions of ‘pixels’ each representing the colour and intensity of the light at a spot in the scene.

By using tiny coloured filters over light sensitive electronics in the sensor, the digital camera is able to record a set of three electronic signals representing the amounts of red, green and blue light at each pixel in a scene. The electronic signals are turned into numbers by our digital imaging software.

The range of tonality that can be recorded, stored, and manipulated in a digital imaging system, is dependent on the 'bit depth' of the electronics and image files. Although real digital cameras are at least 12-bit devices, for simplicity we will consider 8-bit cameras. Smoother gradations of colour and tone are possible the greater the bit-depth, but the principles are the same.

In an 8-bit camera system, 256 different levels of light intensity could be measured by the sensor under each filter. The camera's built-in computer would assign a value from 0 to 255: 0 = no light detected; 255 = the most intense the sensor can record. The intensity of red light at a point can be assigned any number from 0 to 255. The amount of green light at the point can be assigned any value from 0 to 255 and the blue component can also be assigned a value from 0 to 255.

  • The intensity and colour of the light at the point can, therefore, be represented as a set of three numbers corresponding to the amount of red, green, and blue light that makes it up.
  • A fully saturated red dot captured by a digital camera, for example, might be recorded as 255,0,0 because it has maximum red and nothing else.
  • A fully saturated green dot might be recorded by 0,255,0
  • A black dot — meaning no light — would be recorded as 0,0,0
  • A dot representing a pale skin colour might be recorded as 240,210,180 because such a colour is made up of a mixture of red, green, and blue. A dot in a pair of 'blue' jeans, for example might be recorded as 32, 35, 156.
  • A whole image is recorded in a digital file that consists of many millions of these number triples.

A system whereby colour and tonality recorded numerically by means of number-triples representing the contributions of red, green, and blue is called an RGB colour space.

The complete set of number-triples (and associated colours) that a particular digital camera can record is a device-dependent colour space. The actual colours associated with any number triple in a given camera are found by measurement in a process called 'profiling' the camera.

next page: how colour is produced on monitor or printer

Colour Management

What is Colour Management?

Digital Cameras and colour

Monitors, printers, and colour

The Colour Match Challenge

So what is hard?

Gamut Issues

How the Challenge is met

Colour in Prints

Colour on a Monitor

Translating colours: ICC Profile

Custom printer profile

Making a printer profile

Custom monitor profile

Making a monitor profile

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